Flash flooding in Todmorden, West Yorkshire

Click/tap the image above to view a panoramic 360° view of the scene in your browser. 

Flash flooding hit parts of Todmorden on the afternoon of Monday 29th July 2013, and affected the areas of Gauxholme and Shade, as well as further upstream in the village of Walsden and elsewhere.

The worst part near us was Rochdale Road being flooded by an overflowing Walsden Water, between Shade and Gauxholme in Todmorden. The force of the rapidly rising water pushed against the sides of the bridge, collapsing the walls and pushing out through the retaining walls. The resulting water and masonry quickly filled Rochdale Road. This then poured down the road, flooding adjacent properties. A video of this can be seen below. The aftermath of the severely damaged bridge can be seen in the 360° panoramic photo at the top of this page.

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Maurice Carlin at Castlefield Gallery

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Having previously documented several exhibitions at Salford’s Islington Mill, we were commissioned to capture Maurice Carlin’s excellent solo exhibition ‘First… Next… Then… Finally’, which ran at the acclaimed Castlefield Gallery in Manchester.

The variations in light, detail and texture was both a challenge and an opportunity to capture realistically: so we shot the exhibition with a range of high dynamic range techniques to capture the exhibition in as natural and balanced a manner as possible. Using 360° panoramic photography allows the viewer to enjoy the scale, relation and context of the pieces in situ.

A range of detailed still photographs of artworks featured in the exhibition can also be seen below. These have featured in a range of publications including Frieze Magazine.

[Edit: you can now also view an ultra high resolution gigapixel panorama of Maurice’s workshop here]

Here is some background about Maurice and the exhibition, reproduced from the Castlefield gallery press release.

After completing an art foundation course in 2007, Carlin actively stepped out of the formal education system by co-founding Islington Mill Art Academy, a peer-led experiment into alternative forms of artist education, recently featured in Frieze, A N and Corridor 8 magazines. Respectively Carlin’s practice has developed from a unique context within the vibrant independent art and music scenes in Manchester.

“I often site the production of my work in the public domain, which becomes for me a form of ‘publishing’, drawing attention to the underneath and overlooked elements within the day to day world that largely go unnoticed. My practice explores spaces of transition, a stage where one thing has yet to become another. ‘Crisis’ as described by the writer Umberto Eco[1] is a productive “moment of transition in which something that held before doesn’t hold any longer and there is not yet something new”.

Major works in the exhibition will include Corrupted Images – analogue relief prints of surfaces referencing the first print/publishing techniques developed in ancient China – produced on a busy high street in Manchester which served as a temporary studio. Blue (Sleep Mode) a collaboration with renowned artist David Medalla, depicts Medalla wandering through the streets of Salford at night with a mobile projector, illuminating details of the walls and surfaces of the city. In Screenscans, glitch snippets of television programmes are collected on a handheld digital document scanner. These captured moments of day to day broadcasting are outputted as large, filmic, storyboard like prints, both suggesting and distorting narratives.

Carlin’s work has a beguiling simplicity and directness, often belying a complex web of ideas, explored through a variety of media and approaches. An openness to the possibilities within an arts practice is evident in his work, something almost certainly arising from the independence and freedom of a non University education.

A behind-the-scenes view of a vehicle VR photoshoot.

Click/tap the image above to view a panoramic 360° view of the scene in your browser.

Just finished a three day vehicle VR photoshoot in South Manchester, shooting both interior 360 panoramas and exterior object VRs.

All will be revealed later this year as the content is integrated into the client brand’s website, but in the meantime here’s a teaser panorama… spot the main camera almost hidden at the rear of the studio.

Valley of Lights, Todmorden

After severe flooding hit the Calder Valley twice in rapid succession this summer, the local communities reacted brilliantly to this devastating challenge. Businesses and individuals pulled together, demonstrating the indefatigable local spirit and individual outlook which characterises the upper valley, bringing together neighbours and strangers alike.

With many residential and commercial properties affected for months by the floods, it’s been a tough year, and collectively the area deserved a reason to celebrate their achievements since… and let their hair down. Fast forward six months and cue the Valley of Lights; a unique initiative spearheaded by Totally Locally, supported by Calderdale Council and creatively led by Handmade Parade. Embracing the pool of talent, enthusiasm and skill of hundreds of artists, performers, producers, retailers and members of the public, it’s an event spread over ten days in the three towns worst affected by the flooding here – Todmorden, Hebden Bridge and Mytholmroyd.

Designed to celebrate the Upper Calder Valley; its people, its creativity, its uniqueness and its hundreds of small businesses, it combined community initiatives with a series of spectacular performances, outdoor markets and displays. It’s a gloriously welcome way to usher in the start of the Christmas period, and the switch on of the lights in each town.

It was Tod’s turn first on Saturday 24th November, and as luck would have it, the heavens opened just before the start of the celebrations. Ironic considering the heavy rain in the summer. However folk round here are hardy and won’t easily turn down the excuse for a celebration and performance… especially one designed to showcase their triumph over the natural elements. Besides, we do parades and parties well around here, such as the Pollination Parade early this year.

After the Christmas Lights switch on, performers and musicians led a Lantern Parade around the town, before a spectacular fire finale in at the Rose Street / Bramsche Square site. Tod Market stayed open late, with both regulars and local artist makers selling their wares, encouraging shoppers to spend their pounds close to home. Musicians and street performers weaved among the heaving crowds, raising smiles and spirits through the rain.

Meanwhile there was a spectacular wharfside flotilla along Fielden Wharf on the Rochdale Canal, featuring lit-up inflatables by Spacecadets (you can view some panoramas of their work from Preston in 2006 and the Lowry, Salford in 2007 respectively). Live music was performed by Daniel Weaver from an open narrowboat: you can just spot him through the crowds during the timelapse video above.

Friends and food clients alike, local food heroes Porcus and the Bear Café set up stall to warm the hearts (and bellies) of the brave souls who ventured out in the rain. I set up my trusty GoPro and recorded a (very soggy) timelapse video of Porcus serving up their homemade rare breed sausages, while I tried out my new DSLR in wet weather conditions. All in all it was damp but delightful night, perfectly showcasing the diversity and distinctiveness of the local area, and making people rightly proud of what they have and hold dear!

Brittle Crazie Glasse at Islington Mill, Salford

Contemplating Veronica
(featuring Mark Dean’s The Veil of Veronica (offset Halo). 2012)

Custom format large photograph, shot at 15.2mm / f 0.42
Click/tap the image above to view a high resolution zoomable view of the scene in your browser. 

 

Defying Logic and Absenting Certainty
(featuring Alistair McClymont’s The Limitations of Logic and The Absence of Absolute Certainty. 2008)

Custom format large photograph, shot at 18.5mm / f 0.52
Click/tap the image above to view a high resolution zoomable view of the scene in your browser. 

 

Details and elements of the current exhibition at Islington Mill in Salford, showcasing work by a series of artists represented by Man & Eve, and curated by Lucie Newman Cleeve.

After shooting a 360° panorama of Susie MacMurray’s Stratum in July, I was smitten by the attic space in the mill, so was more than happy to accept an invite to come along to Brittle Crazie Glasse to capture a further series of detailed photographs. With such a range of scale and media across the exhibits, it’s a fantastically diverse collection.

As with before, I was as taken by the space which the pieces were exhibited in, as by the works themselves. The contrasts of texture, light and volume across the fifth floor and attic are striking and compelling… and chime perfectly with my interests in capturing light, form and texture.

The title comes from a line in George Herbert’s poem ‘The Windows’. However the section of the poem which resonated most with me was…

Doctrine and life, colours and light, in one
When they combine and mingle, bring
A strong regard and awe…  

The exhibition is well worth visiting, and runs until November 4th 2012. More info at the Islington Mill website. Thanks to Shereen at Islington Mill for all her help.